As a director, I believe that curiosity fuels imagination. The constant question of "why" translates to "intention" in theatre. This guiding principle shapes my approach to analyzing texts, working with actors, and executing a holistic vision for a production. I’ve found that the deeper the "why," the greater the discoveries that lead to an in-the-moment truth on stage. Theatre is inherently political, so I seek material that not only entertains but also sparks conversations about societal improvement and growth.

 

I like to blend realism with imagination, aiming for my creative work in theatre to reflect our society while reigniting the imaginative spirit that has been in all of us since childhood. The beauty of imagination is that it transcends cultural boundaries, creating a universal language.

 

For musicals, I always come to rehearsal with a detailed game plan to ensure efficient blocking and timely progress. I excel at crafting a rehearsal schedule that allows for spontaneity while ensuring that actors are prepared and ready for the show. For plays, my approach is more flexible, with less preplanning regarding stage pictures and blocking. This fosters greater collaboration with actors, allowing their intuitions to guide the process.

 

Ultimately, my goal as a director is to create productions that are both reflective and imaginative, encouraging audiences to see themselves and society in new ways while sparking their creativity.